Run and Gun Working Rig: The Complete Build List
Short answer
The working run and gun build costs $11,576.10 complete. The centrepiece is a Sony FX3 at around $4,300, and the upgrades that matter most are not the gimbal but the single V-mount power system and the separate 32-bit float audio recorder.
This is the rig you build when the work is paying. The complete list is $11,576.10, and the item that changes the most is the Sony FX3 at about $4,300: full frame, actively cooled, with the XLR handle in the box. Active cooling is the unglamorous feature that matters most, because a body that stops recording halfway through an interview costs you the job, not the shot.
Everything below assumes you already understand why the starter build is shaped the way it is. This tier keeps that shape and fixes its three real limits: the body, the power and the sound.
Who this build is for
You are shooting for clients, or your own work has an audience that notices. You work alone or with one other person. You are being asked for interviews, b-roll and occasional movement, often in the same day, and you cannot go back and reshoot. Reliability now costs you more than capability does.
If your work is planned scene work with a crew, the narrative working build is the right list. It spends this money on a lens set, a follow focus and lighting rather than on a gimbal and autofocus glass. Those are not preferences, they are different jobs.
The build list
Run and gun, working tier
Build total
$11,576.10
Camera and lens
The step here is the body, not the accessories. Active cooling and a full frame low-light sensor change what you can accept as a shoot.
| Item | Why this one | Price | Buy |
|---|---|---|---|
| Sony FX3 Sony Full frame, actively cooled, XLR handle included. The closest thing to a one-person cinema camera. Compare: cinema cameras | Full frame, actively cooled, XLR handle included. The closest thing to a one-person cinema camera. | $4,298 | Price |
| Sony FE 24-70mm f/2.8 GM II Sony Fast standard zoom with unusually low focus breathing, which matters more on video than any sharpness chart. Compare: video lenses | Fast standard zoom with unusually low focus breathing, which matters more on video than any sharpness chart. | $2,448 | Price |
| Sigma 18-50mm f/2.8 DC DN Sigma Kept as the light option for gimbal days, where the GM II is more mass than the motors want. Compare: video lenses | Kept as the light option for gimbal days, where the GM II is more mass than the motors want. | $549.95 | Price |
| Camera and lens subtotal | $7,295.95 | ||
Rigging
| Item | Why this one | Price | Buy |
|---|---|---|---|
| Tilta Full Camera Cage for FX3 and FX30 Tilta Full cage with a NATO top plate, so the handle, the monitor and the mic all mount without adapters. Compare: cages | Full cage with a NATO top plate, so the handle, the monitor and the mic all mount without adapters. | $83.30 | Price |
| SmallRig Lightweight NATO Top Handle SMALLRIG Quick-release carry point that survives being grabbed in a hurry. | Quick-release carry point that survives being grabbed in a hurry. | $25.42 | Price |
| SmallRig 7-inch Rosette Magic Arm SMALLRIG An ARRI rosette cannot rotate under load the way a friction ball can. | An ARRI rosette cannot rotate under load the way a friction ball can. | $34.90 | Price |
| SmallRig Monitor Mount with NATO Clamp SMALLRIG Monitor on the rail, cable strain off the camera. | Monitor on the rail, cable strain off the camera. | $31.99 | Price |
| Rigging subtotal | $175.61 | ||
Movement
This is the tier where a gimbal starts to pay for itself, because you are being paid for the shot.
| Item | Why this one | Price | Buy |
|---|---|---|---|
| DJI RS 4 DJI Three kilos of rated payload covers this body with either lens. Balance it with the lens you will actually shoot. Compare: gimbals | Three kilos of rated payload covers this body with either lens. Balance it with the lens you will actually shoot. | $469 | Price |
| DJI RS Extended Grip and Tripod DJI Low mode and a standing rest, which is the accessory every gimbal owner buys second. | Low mode and a standing rest, which is the accessory every gimbal owner buys second. | $48.99 | Price |
| Tilta Lightweight Gimbal Support Vest Tilta Moves the load to your hips. Your arms are the real payload limit, not the motors. Compare: shoulder rigs | Moves the load to your hips. Your arms are the real payload limit, not the motors. | $119 | Price |
| Movement subtotal | $636.99 | ||
Monitoring and exposure
| Item | Why this one | Price | Buy |
|---|---|---|---|
| FEELWORLD F5 Prox 5.5-inch FEELWORLD 1600 nits and 3D LUT loading, which is where a monitor stays readable outdoors. Compare: monitors | 1600 nits and 3D LUT loading, which is where a monitor stays readable outdoors. | $169.99 | Price |
| PolarPro 82mm McKinnon VND, 2 to 5 Stops PolarPro Hard stops and a deliberately narrow range, so colour stays neutral at every position. Compare: ND filters | Hard stops and a deliberately narrow range, so colour stays neutral at every position. | $249.99 | Price |
| PolarPro 82mm McKinnon VND, 6 to 9 Stops PolarPro The dense half of the pair, for holding a wide aperture at 1/50 in open sun. Compare: ND filters | The dense half of the pair, for holding a wide aperture at 1/50 in open sun. | $249.99 | Price |
| Monitoring and exposure subtotal | $669.97 | ||
Audio
A separate recorder is the upgrade that most improves the finished piece, and it is cheaper than any lens.
| Item | Why this one | Price | Buy |
|---|---|---|---|
| Zoom F3 Zoom 32-bit float with no gain to set, which removes the most common way location sound gets ruined. Compare: recorders | 32-bit float with no gain to set, which removes the most common way location sound gets ruined. | $299.99 | Price |
| Sennheiser MKE 600 with Shock Mount Sennheiser A supercardioid that runs on phantom power now and on a mixer later. Compare: shotgun mics | A supercardioid that runs on phantom power now and on a mixer later. | $349 | Price |
| Saramonic BoomPole Lite Carbon Fibre, 8.2 ft Saramonic Internal cabling, so the operator is not fighting a loose XLR all day. | Internal cabling, so the operator is not fighting a loose XLR all day. | $99 | Price |
| DJI Mic 2 (2 TX, 1 RX, Case) DJI Two transmitters and a charging case, which is what keeps a two-person kit actually charged. Compare: wireless mics | Two transmitters and a charging case, which is what keeps a two-person kit actually charged. | $199 | Price |
| Audio subtotal | $946.99 | ||
Power
One battery running the whole rig is the difference between a working day and a scavenger hunt for outlets.
| Item | Why this one | Price | Buy |
|---|---|---|---|
| SmallRig VB99 Mini V-Mount, 99Wh SMALLRIG 99 Wh sits under the usual airline ceiling and puts out PD 100 W for a laptop between setups. Compare: batteries | 99 Wh sits under the usual airline ceiling and puts out PD 100 W for a laptop between setups. | $159.99 | Price |
| SmallRig Foldable V-Mount Battery Plate SMALLRIG The plate is what turns one battery into camera, monitor and transmitter power. | The plate is what turns one battery into camera, monitor and transmitter power. | $63.98 | Price |
| SmallRig NP-FZ100 D-Tap Dummy Battery SMALLRIG The cable that makes the V-mount actually run the camera. | The cable that makes the V-mount actually run the camera. | $31.98 | Price |
| SmallRig Dual-Channel V-Mount Charger SMALLRIG Two bays, because one charger and three batteries is an overnight queue. | Two bays, because one charger and three batteries is an overnight queue. | $109.65 | Price |
| Power subtotal | $365.60 | ||
Media and offload
| Item | Why this one | Price | Buy |
|---|---|---|---|
| Sony CFexpress Type A 160GB Sony The camera needs Type A for its highest bitrate modes. It is expensive and there is no way around it. Compare: cards | The camera needs Type A for its highest bitrate modes. It is expensive and there is no way around it. | $359 | Price |
| Lexar 256GB CFexpress Type A Silver 4.0 Lexar A second card, because a full card mid-interview is a stopped interview. Compare: cards | A second card, because a full card mid-interview is a stopped interview. | $194.22 | Price |
| Samsung T9 2TB Portable SSD Samsung Two terabytes covers a shoot day twice over, which is what a two-copy rule requires. Compare: SSDs | Two terabytes covers a shoot day twice over, which is what a two-copy rule requires. | $405.99 | Price |
| Media and offload subtotal | $959.21 | ||
Support and transport
| Item | Why this one | Price | Buy |
|---|---|---|---|
| Benro Video Tripod with S6 PRO Fluid Head Benro A real counterbalanced head rated to 13.2 lb, which is where pans stop looking like a stills tripod pretending. Compare: tripods | A real counterbalanced head rated to 13.2 lb, which is where pans stop looking like a stills tripod pretending. | $314.95 | Price |
| Pelican Vault v525 Case with Padded Dividers Pelican A rig carried in a soft bag arrives with bent rods, and a bent rod is a matte box that will not seat. | A rig carried in a soft bag arrives with bent rods, and a bent rod is a matte box that will not seat. | $189.95 | Price |
| Gaffer Power Black Gaffer Tape, 2 inch Gaffer Power Still the most used item in the case. | Still the most used item in the case. | $20.88 | Price |
| Support and transport subtotal | $525.78 | ||
Complete build, everything above
27 line items across 8 groups. Every line is priced.
$11,576.10
The power system is the real upgrade
Three parts, roughly $255 together, and they change the character of the rig more than anything else on the list.
One battery, whole rig
A 99 Wh cell, the plate that mounts it, and the cable that turns it into camera power. Add the dual charger so a day never ends waiting on one bay.
SMALLRIG
SmallRig VB99 Mini V-Mount, 99Wh
99 Wh sits right under the usual 100 Wh airline ceiling, and PD 100 W out means it charges a laptop between setups too.
- Capacity
- 99 Wh
- USB-C
- PD 100 W
The default V-mount for a documentary kit.
Check price
SMALLRIG
SmallRig Foldable V-Mount Battery Plate
The plate that puts a V-mount on a cage or a rod, with D-Tap and USB out so the monitor and transmitter stop needing their own cells.
- Outputs
- D-Tap, USB
This is what makes one battery power the rig.
Check price
SMALLRIG
SmallRig NP-FZ100 D-Tap Dummy Battery
The cable that turns a V-mount into camera power for Sony bodies, which is the whole reason to carry a V-mount at all.
- For
- Sony NP-FZ100 bodies
Match this to your camera's battery shape.
Check priceBefore this, the camera, the monitor and anything else each had their own cells and their own chargers, and each one was a separate way for the day to stop. After it, there is one thing to charge, one state of charge to read, and D-Tap outputs for everything you add later. The SmallRig Dual-Channel V-Mount Charger is part of the same decision: one charger and three batteries is an overnight queue.
Work out your own runtime on the battery runtime calculator, and read the rig power guide for the D-Tap wiring order, because plugging a dummy battery into a live plate in the wrong sequence is how people find out their cable was not regulated.
Sound is the second upgrade, not the fourth
The Zoom F3 records 32-bit float, which means there is no gain to set. That single property removes the most common way a run and gun day loses its audio: a level set for a quiet room that a subject then shouts into. Paired with the Sennheiser MKE 600 with Shock Mount on a Saramonic BoomPole Lite Carbon Fibre, 8.2 ft, dialogue stops sounding like video and starts sounding like film.
The DJI Mic 2 (2 TX, 1 RX, Case) stays in the kit as a safety track and for the situations where a boom is impossible, which on a documentary is more of them than anyone would like. Two transmitters in a charging case is the format that actually stays charged, which is a duller reason to choose a product than sound quality but a more honest one.
Where the gimbal fits, and where it does not
The DJI RS 4 is rated for 3 kg. This body with the fast full frame zoom sits close enough to that number that balancing gets fussy and the motors work hard, which is exactly why the small crop zoom stays in the bag. Swap the lens for gimbal shots and the same gimbal has real headroom. Check yours on the payload calculator rather than assuming.
The Tilta Lightweight Gimbal Support Vest is the cheapest genuine upgrade to gimbal work at any price. The real limit on a gimbal day is your arms, not the motors, and a vest moves that load to your hips. Anyone who has held a loaded gimbal for a ten minute walking shot already knows this.
What you can skip
- The second Type A card, about $195. Only if your days are short. A full card mid-interview with no spare is a stopped interview, so this is a false economy the first time it bites.
- The gimbal, grip and vest, about $637. Defer if movement is not being asked for. Nothing else in the build depends on them.
- The hard case, about $190. Only if the rig never leaves a car. A rig carried in a soft bag arrives with bent rods, and a bent rod is a matte box that will not seat.
- The second lens, about $550. Only if you never gimbal. It is the cheapest way to make the gimbal you own behave like a bigger one.
What you should not skip
The two variable ND filters. It looks indulgent to buy a 2 to 5 stop and a 6 to 9 stop filter when one very wide range filter exists, and it is the correct decision anyway. Wide range variable NDs produce a visible cross pattern near their dense end, because the two polarisers are approaching extinction. Two narrower filters never get near that point. The PolarPro 82mm McKinnon VND, 2 to 5 Stops covers most days and the PolarPro 82mm McKinnon VND, 6 to 9 Stops covers open sun at a wide aperture.
The maths is on the ND and shutter angle calculator: holding 1/50 at f/2.8 on a bright day needs six to seven stops of density, which is outside the range of a single 2 to 5 stop filter entirely.
Weight and handling
The built rig is heavier than the starter version but better balanced, because the V-mount sits behind the camera rather than in front of it. That is not incidental. A battery on the back is the only accessory that improves the balance of a handheld rig, which is why cinema cameras have been shaped that way for decades. Read the balance guide for where to put everything else.
Upgrade path to the pro tier
| What changes at the pro tier | Why |
|---|---|
| Body gains internal electronic ND | Removes screw-on filters entirely, which removes a step from every lighting change |
| Wireless video added | Clients stop standing behind the operator, which changes how a shoot feels |
| Timecode added | Multicam and dual-system sound sync themselves instead of costing an afternoon |
| Body support arm and vest | Long handheld days stop ending in back pain, which is a durability issue not a comfort one |
| Sound moves to a professional recorder | A sound person will accept the kit, so you can hire one |
See the full list on the pro tier build, and the side by side comparison of all six builds on the build ladder hub.
Next, from here
- The pro tier build
Internal ND, wireless video and timecode.
- Narrative working build
The same budget spent on control and light.
- Battery runtime calculator
How long one cell runs your actual load.
- Best V-mount batteries
Capacities, airline limits and plate options.
- Best gimbals
Payload classes and what they really carry.
- Audio for video guide
Boom placement, levels and dual-system sound.
Common questions
- What does the working tier buy that the starter tier does not?
- Three things, in order of impact: a full frame actively cooled body that will not stop recording, a single battery system that runs the whole rig, and a separate audio recorder so sound is no longer hostage to the camera. The gimbal is fourth on that list, not first, even though it is the most visible difference.
- Is a full frame body worth roughly $2,500 more than Super 35?
- It is once you are being paid, for two reasons that have nothing to do with the look. Active cooling means a long interview does not end in an overheat warning, and the low light performance means a room lit by a window is still usable at a sane ISO. The shallower depth of field is the least important of the three.
- Do I need both lenses in this build?
- Yes, and they do different jobs. The fast full frame zoom lives on the camera for interviews and handheld work. The small crop zoom comes out for gimbal days, where the heavier lens eats payload headroom and makes balancing slower. Carrying two is cheaper than buying a bigger gimbal to carry one.
- Why a 99 Wh battery rather than a bigger one?
- Because 100 Wh is the ceiling most airlines allow in a carry-on, and 99 Wh sits just under it. A larger cell cannot fly with you, which turns every travel job into a rental. Two 99 Wh cells cover a full day for this rig and both are legal in the same bag, which a single 212 Wh cell is not.
- Can I skip the gimbal and add it later?
- Yes, and it is the easiest line to defer. Nothing else in this build depends on it, and the rest of the rig is unchanged whether it is present or not. Buy it when a client asks for movement or when you notice yourself faking a dolly by walking. Deferring it takes about $640 off the total, including the grip and vest.
- How long does this rig run on one battery?
- A camera drawing roughly 12 W, a monitor at about 8 W and a transmitter at about 8 W total roughly 28 W. A 99 Wh cell divided by 28 W is about three and a half hours at full load, and real days come in higher because nothing runs continuously. Two cells and a dual charger cover a working day comfortably.
Totalling your own rig weight against your gimbal payload? The Camera Rig Build Planner is the paid version of these pages: 8 printable worksheets you fill in with your own numbers, plus the full PDF, $29.