Skip to content

Rig sheets, payload math and buy lists

CameraRigSetup Build a rig that actually balances
Menu

Run and Gun Working Rig: The Complete Build List

Short answer

The working run and gun build costs $11,576.10 complete. The centrepiece is a Sony FX3 at around $4,300, and the upgrades that matter most are not the gimbal but the single V-mount power system and the separate 32-bit float audio recorder.

This is the rig you build when the work is paying. The complete list is $11,576.10, and the item that changes the most is the Sony FX3 at about $4,300: full frame, actively cooled, with the XLR handle in the box. Active cooling is the unglamorous feature that matters most, because a body that stops recording halfway through an interview costs you the job, not the shot.

Everything below assumes you already understand why the starter build is shaped the way it is. This tier keeps that shape and fixes its three real limits: the body, the power and the sound.

Who this build is for

You are shooting for clients, or your own work has an audience that notices. You work alone or with one other person. You are being asked for interviews, b-roll and occasional movement, often in the same day, and you cannot go back and reshoot. Reliability now costs you more than capability does.

If your work is planned scene work with a crew, the narrative working build is the right list. It spends this money on a lens set, a follow focus and lighting rather than on a gimbal and autofocus glass. Those are not preferences, they are different jobs.

The build list

Run and gun, working tier

Build total

$11,576.10

Camera and lens

The step here is the body, not the accessories. Active cooling and a full frame low-light sensor change what you can accept as a shoot.

Item Price Buy
Sony FX3 Sony Full frame, actively cooled, XLR handle included. The closest thing to a one-person cinema camera. Compare: cinema cameras $4,298 Price
Sony FE 24-70mm f/2.8 GM II Sony Fast standard zoom with unusually low focus breathing, which matters more on video than any sharpness chart. Compare: video lenses $2,448 Price
Sigma 18-50mm f/2.8 DC DN Sigma Kept as the light option for gimbal days, where the GM II is more mass than the motors want. Compare: video lenses $549.95 Price
Camera and lens subtotal $7,295.95

Rigging

Item Price Buy
Tilta Full Camera Cage for FX3 and FX30 Tilta Full cage with a NATO top plate, so the handle, the monitor and the mic all mount without adapters. Compare: cages $83.30 Price
SmallRig Lightweight NATO Top Handle SMALLRIG Quick-release carry point that survives being grabbed in a hurry. $25.42 Price
SmallRig 7-inch Rosette Magic Arm SMALLRIG An ARRI rosette cannot rotate under load the way a friction ball can. $34.90 Price
SmallRig Monitor Mount with NATO Clamp SMALLRIG Monitor on the rail, cable strain off the camera. $31.99 Price
Rigging subtotal $175.61

Movement

This is the tier where a gimbal starts to pay for itself, because you are being paid for the shot.

Item Price Buy
DJI RS 4 DJI Three kilos of rated payload covers this body with either lens. Balance it with the lens you will actually shoot. Compare: gimbals $469 Price
DJI RS Extended Grip and Tripod DJI Low mode and a standing rest, which is the accessory every gimbal owner buys second. $48.99 Price
Tilta Lightweight Gimbal Support Vest Tilta Moves the load to your hips. Your arms are the real payload limit, not the motors. Compare: shoulder rigs $119 Price
Movement subtotal $636.99

Monitoring and exposure

Item Price Buy
FEELWORLD F5 Prox 5.5-inch FEELWORLD 1600 nits and 3D LUT loading, which is where a monitor stays readable outdoors. Compare: monitors $169.99 Price
PolarPro 82mm McKinnon VND, 2 to 5 Stops PolarPro Hard stops and a deliberately narrow range, so colour stays neutral at every position. Compare: ND filters $249.99 Price
PolarPro 82mm McKinnon VND, 6 to 9 Stops PolarPro The dense half of the pair, for holding a wide aperture at 1/50 in open sun. Compare: ND filters $249.99 Price
Monitoring and exposure subtotal $669.97

Audio

A separate recorder is the upgrade that most improves the finished piece, and it is cheaper than any lens.

Item Price Buy
Zoom F3 Zoom 32-bit float with no gain to set, which removes the most common way location sound gets ruined. Compare: recorders $299.99 Price
Sennheiser MKE 600 with Shock Mount Sennheiser A supercardioid that runs on phantom power now and on a mixer later. Compare: shotgun mics $349 Price
Saramonic BoomPole Lite Carbon Fibre, 8.2 ft Saramonic Internal cabling, so the operator is not fighting a loose XLR all day. $99 Price
DJI Mic 2 (2 TX, 1 RX, Case) DJI Two transmitters and a charging case, which is what keeps a two-person kit actually charged. Compare: wireless mics $199 Price
Audio subtotal $946.99

Power

One battery running the whole rig is the difference between a working day and a scavenger hunt for outlets.

Item Price Buy
SmallRig VB99 Mini V-Mount, 99Wh SMALLRIG 99 Wh sits under the usual airline ceiling and puts out PD 100 W for a laptop between setups. Compare: batteries $159.99 Price
SmallRig Foldable V-Mount Battery Plate SMALLRIG The plate is what turns one battery into camera, monitor and transmitter power. $63.98 Price
SmallRig NP-FZ100 D-Tap Dummy Battery SMALLRIG The cable that makes the V-mount actually run the camera. $31.98 Price
SmallRig Dual-Channel V-Mount Charger SMALLRIG Two bays, because one charger and three batteries is an overnight queue. $109.65 Price
Power subtotal $365.60

Media and offload

Item Price Buy
Sony CFexpress Type A 160GB Sony The camera needs Type A for its highest bitrate modes. It is expensive and there is no way around it. Compare: cards $359 Price
Lexar 256GB CFexpress Type A Silver 4.0 Lexar A second card, because a full card mid-interview is a stopped interview. Compare: cards $194.22 Price
Samsung T9 2TB Portable SSD Samsung Two terabytes covers a shoot day twice over, which is what a two-copy rule requires. Compare: SSDs $405.99 Price
Media and offload subtotal $959.21

Support and transport

Item Price Buy
Benro Video Tripod with S6 PRO Fluid Head Benro A real counterbalanced head rated to 13.2 lb, which is where pans stop looking like a stills tripod pretending. Compare: tripods $314.95 Price
Pelican Vault v525 Case with Padded Dividers Pelican A rig carried in a soft bag arrives with bent rods, and a bent rod is a matte box that will not seat. $189.95 Price
Gaffer Power Black Gaffer Tape, 2 inch Gaffer Power Still the most used item in the case. $20.88 Price
Support and transport subtotal $525.78

Complete build, everything above

27 line items across 8 groups. Every line is priced.

$11,576.10

The power system is the real upgrade

Three parts, roughly $255 together, and they change the character of the rig more than anything else on the list.

One battery, whole rig

A 99 Wh cell, the plate that mounts it, and the cable that turns it into camera power. Add the dual charger so a day never ends waiting on one bay.

Best value $159.99
SmallRig VB99 Mini V-Mount, 99Wh

SMALLRIG

SmallRig VB99 Mini V-Mount, 99Wh

99 Wh sits right under the usual 100 Wh airline ceiling, and PD 100 W out means it charges a laptop between setups too.

Capacity
99 Wh
USB-C
PD 100 W

The default V-mount for a documentary kit.

Check price
Mounting $63.98
SmallRig Foldable V-Mount Battery Plate

SMALLRIG

SmallRig Foldable V-Mount Battery Plate

The plate that puts a V-mount on a cage or a rod, with D-Tap and USB out so the monitor and transmitter stop needing their own cells.

Outputs
D-Tap, USB

This is what makes one battery power the rig.

Check price
Camera power $31.98
SmallRig NP-FZ100 D-Tap Dummy Battery

SMALLRIG

SmallRig NP-FZ100 D-Tap Dummy Battery

The cable that turns a V-mount into camera power for Sony bodies, which is the whole reason to carry a V-mount at all.

For
Sony NP-FZ100 bodies

Match this to your camera's battery shape.

Check price

Before this, the camera, the monitor and anything else each had their own cells and their own chargers, and each one was a separate way for the day to stop. After it, there is one thing to charge, one state of charge to read, and D-Tap outputs for everything you add later. The SmallRig Dual-Channel V-Mount Charger is part of the same decision: one charger and three batteries is an overnight queue.

Work out your own runtime on the battery runtime calculator, and read the rig power guide for the D-Tap wiring order, because plugging a dummy battery into a live plate in the wrong sequence is how people find out their cable was not regulated.

Sound is the second upgrade, not the fourth

The Zoom F3 records 32-bit float, which means there is no gain to set. That single property removes the most common way a run and gun day loses its audio: a level set for a quiet room that a subject then shouts into. Paired with the Sennheiser MKE 600 with Shock Mount on a Saramonic BoomPole Lite Carbon Fibre, 8.2 ft, dialogue stops sounding like video and starts sounding like film.

The DJI Mic 2 (2 TX, 1 RX, Case) stays in the kit as a safety track and for the situations where a boom is impossible, which on a documentary is more of them than anyone would like. Two transmitters in a charging case is the format that actually stays charged, which is a duller reason to choose a product than sound quality but a more honest one.

Where the gimbal fits, and where it does not

The DJI RS 4 is rated for 3 kg. This body with the fast full frame zoom sits close enough to that number that balancing gets fussy and the motors work hard, which is exactly why the small crop zoom stays in the bag. Swap the lens for gimbal shots and the same gimbal has real headroom. Check yours on the payload calculator rather than assuming.

The Tilta Lightweight Gimbal Support Vest is the cheapest genuine upgrade to gimbal work at any price. The real limit on a gimbal day is your arms, not the motors, and a vest moves that load to your hips. Anyone who has held a loaded gimbal for a ten minute walking shot already knows this.

The trap at this tier: buying a bigger gimbal to carry a heavier lens. A bigger gimbal is heavier itself, so the operator fatigue problem gets worse while the motor problem gets better. Change the lens instead. It is free.

What you can skip

  • The second Type A card, about $195. Only if your days are short. A full card mid-interview with no spare is a stopped interview, so this is a false economy the first time it bites.
  • The gimbal, grip and vest, about $637. Defer if movement is not being asked for. Nothing else in the build depends on them.
  • The hard case, about $190. Only if the rig never leaves a car. A rig carried in a soft bag arrives with bent rods, and a bent rod is a matte box that will not seat.
  • The second lens, about $550. Only if you never gimbal. It is the cheapest way to make the gimbal you own behave like a bigger one.

What you should not skip

The two variable ND filters. It looks indulgent to buy a 2 to 5 stop and a 6 to 9 stop filter when one very wide range filter exists, and it is the correct decision anyway. Wide range variable NDs produce a visible cross pattern near their dense end, because the two polarisers are approaching extinction. Two narrower filters never get near that point. The PolarPro 82mm McKinnon VND, 2 to 5 Stops covers most days and the PolarPro 82mm McKinnon VND, 6 to 9 Stops covers open sun at a wide aperture.

The maths is on the ND and shutter angle calculator: holding 1/50 at f/2.8 on a bright day needs six to seven stops of density, which is outside the range of a single 2 to 5 stop filter entirely.

Weight and handling

The built rig is heavier than the starter version but better balanced, because the V-mount sits behind the camera rather than in front of it. That is not incidental. A battery on the back is the only accessory that improves the balance of a handheld rig, which is why cinema cameras have been shaped that way for decades. Read the balance guide for where to put everything else.

Upgrade path to the pro tier

What changes at the pro tier Why
Body gains internal electronic ND Removes screw-on filters entirely, which removes a step from every lighting change
Wireless video added Clients stop standing behind the operator, which changes how a shoot feels
Timecode added Multicam and dual-system sound sync themselves instead of costing an afternoon
Body support arm and vest Long handheld days stop ending in back pain, which is a durability issue not a comfort one
Sound moves to a professional recorder A sound person will accept the kit, so you can hire one

See the full list on the pro tier build, and the side by side comparison of all six builds on the build ladder hub.

Next, from here

Common questions

What does the working tier buy that the starter tier does not?
Three things, in order of impact: a full frame actively cooled body that will not stop recording, a single battery system that runs the whole rig, and a separate audio recorder so sound is no longer hostage to the camera. The gimbal is fourth on that list, not first, even though it is the most visible difference.
Is a full frame body worth roughly $2,500 more than Super 35?
It is once you are being paid, for two reasons that have nothing to do with the look. Active cooling means a long interview does not end in an overheat warning, and the low light performance means a room lit by a window is still usable at a sane ISO. The shallower depth of field is the least important of the three.
Do I need both lenses in this build?
Yes, and they do different jobs. The fast full frame zoom lives on the camera for interviews and handheld work. The small crop zoom comes out for gimbal days, where the heavier lens eats payload headroom and makes balancing slower. Carrying two is cheaper than buying a bigger gimbal to carry one.
Why a 99 Wh battery rather than a bigger one?
Because 100 Wh is the ceiling most airlines allow in a carry-on, and 99 Wh sits just under it. A larger cell cannot fly with you, which turns every travel job into a rental. Two 99 Wh cells cover a full day for this rig and both are legal in the same bag, which a single 212 Wh cell is not.
Can I skip the gimbal and add it later?
Yes, and it is the easiest line to defer. Nothing else in this build depends on it, and the rest of the rig is unchanged whether it is present or not. Buy it when a client asks for movement or when you notice yourself faking a dolly by walking. Deferring it takes about $640 off the total, including the grip and vest.
How long does this rig run on one battery?
A camera drawing roughly 12 W, a monitor at about 8 W and a transmitter at about 8 W total roughly 28 W. A 99 Wh cell divided by 28 W is about three and a half hours at full load, and real days come in higher because nothing runs continuously. Two cells and a dual charger cover a working day comfortably.

Totalling your own rig weight against your gimbal payload? The Camera Rig Build Planner is the paid version of these pages: 8 printable worksheets you fill in with your own numbers, plus the full PDF, $29.

How this page was researched. Specs come from manufacturer documentation, published payload and power ratings, and verified owner reviews. We do not claim to have had every one of these items in our hands, and we will not pretend otherwise.

This is researched guidance, not professional advice. Gimbal payload ratings assume a balanced load. Stay meaningfully under the rating and never carry the rig by an accessory arm.